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Proust, Marcel, --- Film and video adaptations --- Film and video adaptations.

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'Performing Transversally 'expands on Bryan Reynolds' controversial transversal theory in exciting ways while offering groundbreaking analyses of Shakespeare's plays--'Hamlet', 'Othello', 'Macbeth', 'Taming of the Shrew', 'Romeo and Juliet', T'itus Andronicus', 'Henry V', 'The Tempest', and 'Coriolanus'--and textual, filmic, and theatrical adaptations of them. With his collaborators, Reynolds challenges traditional readings of Shakespeare, reevaluating the critical methodologies that inform them, in regard to issues of cultural difference, authorship, representation, agency, and iconography. Reynolds demonstrates the value of his & investigative-expansive mode, outlining a & transversal poetics that points toward a critical future that is more aware of its subjective interconnectedness with the topics and audiences it seeks to engage than is reflected in most 20th century Shakespeare criticism.

Shakespeare, William, --- Dramatic production. --- Adaptations --- History and criticism. --- Film and video adaptations. --- Stage history

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Following on from the phenomenally successful Shakespeare, The Movie, this volume brings together an invaluable new collection of essays on cinematic Shakespeares in the 1990s and beyond. Shakespeare, The Movie II: *focuses for the first time on the impact of postcolonialism, globalization and digital film on recent adaptations of Shakespeare; *takes in not only American and British films but also adaptations of Shakespeare in Europe and in the Asian diapora; *explores a wide range of film, television, video and DVD adaptations from Almereyda's Hamlet to animated tales, via Baz Luhrmann, Kenneth Branagh, and 1990s' Macbeths, to name but a few; *offers fresh insight into the issues surrounding Shakespeare on film, such as the interplay between originals and adaptations, the appropriations of popular culture, the question of spectatorship, and the impact of popularization on the canonical status of "the Bard." Combining three key essays from the earlier collection with exciting new work from leading contributors, Shakespeare, The Movie II offers sixteen fascinating essays. It is quite simply a must-read for any student of Shakespeare, film, media or cultural studies.

English drama --- Film adaptations --- Popular culture. --- Film and video adaptations. --- History and criticism. --- Shakespeare, William, --- Television adaptations --- English drama - Film and video adaptations. --- Film adaptations - History and criticism. --- Shakespeare, William, - 1564-1616 - Film and video adaptations. --- SHAKESPEARE, WILLIAM (1564-1616) --- THEATRE (GENRE LITTERAIRE) ANGLAIS --- ADAPTATIONS CINEMATOGRAPHIQUES ET TELEVISEES --- CULTURE POPULAIRE --- Shakespeare, William, - 1564-1616

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Jane Austen on Screen is a collection of essays exploring the literary and cinematic implications of translating Austen's prose into film. Contributors raise questions of how prose fiction and cinema differ, of how mass commercial audiences require changes to script and character, and of how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary 'purists' suspicious of filmic renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. Theoretical issues are explored in balance with the practical concerns of literature-to-film conversions: casting choices, authenticity of settings, script 'amputations' of the original prose, anachronisms, relevance for modern mass audiences, and the intertextuality informing the production of much-remade works. This comprehensive study, including an exhaustive Austen bibliography and filmography, will be of interest to students and teachers alike.

English fiction --- Film adaptations --- Television adaptations --- Film adaptations. --- Film and video adaptations. --- History and criticism. --- Austen, Jane, --- Arts and Humanities --- Literature --- Television adaptations. --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين،

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Issu de l'épopée ou de poèmes liturgiques, le théâtre vit de perpétuelles réécritures. Les auteurs dramatiques n'ont jamais cessé de puiser quantité de matériaux dans des textes narratifs antérieurs ou dans le fonds commun du répertoire. Parfois même, certains d'entre eux piochent dans leurs matériaux personnels, remodelant leurs propres écrits narratifs pour créer une pièce nouvelle. Tel est un des secrets de fabrication du texte de théâtre. C'est sur ce processus génétique que s'interrogent les chercheurs de cet ouvrage collectif qui vise à cerner la spécificité de l'écriture dramatique.

Playwriting --- Drama --- Création dramatique --- Théâtre (Genre littéraire) --- History and criticism --- Histoire et critique --- Stage adaptations --- History and criticism. --- Création dramatique --- Théâtre (Genre littéraire) --- Adaptations, Stage --- Literature --- Authors and theater --- Editing --- Technique --- Adaptations --- Stage adaptations - History and criticism. --- Drama - History and criticism.